My ‘raison d’être’ is to explore unorthodox approaches to fashion creation and garment assembly.

My experimental collection uses artificial intelligence software – and sound visualisation – to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms.

I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.