MDes Fashion & Textiles School of Design

Yimei Lu (Miss)

My ‘raison d'être’ is to explore unorthodox approaches to fashion creation and garment assembly. My experimental collection uses artificial intelligence software - and sound visualisation - to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms. I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.

My ‘raison d’être’ is to explore unorthodox approaches to fashion creation and garment assembly.

 

My experimental collection uses artificial intelligence software – and sound visualisation – to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms.

 

I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.

Contact
ylu1006@outlook.com
Y.lu3@student.gsa.ac.uk
@GSofA
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My experimental collection uses artificial intelligence software - and sound visualisation - to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms.

 

I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.
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Works
Misophonia
My ‘raison d'être’ is to explore unorthodox approaches to fashion creation and garment assembly. My experimental collection uses artificial intelligence software - and sound visualisation - to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms. I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.
My ‘raison d'être’ is to explore unorthodox approaches to fashion creation and garment assembly. My experimental collection uses artificial intelligence software - and sound visualisation - to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms. I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.

Misophonia

Misophonia

My ‘raison d’être’ is to explore unorthodox approaches to fashion creation and garment assembly.

 

My experimental collection uses artificial intelligence software – and sound visualisation – to inspire surface, structure, and silhouette. I started out by collecting a range of sounds from everyday life which I then translated into two and three-dimensional visual and textural forms.

 

I interpreted the shadowy shapes and blurred effects by dye diffusion printing on monofilament mesh – a material not associated with clothing but can be shaped and sculpted with minimal sewing.

Portfolio06_00

Portfolio06_49

Portfolio06_53

Portfolio06_38