





We live in a time of unprecedented change – what does it mean to adapt in 2023? What societal pressures and norms are we forced to adapt to, and what radical potential could autonomous reinvention hold?




Storeroom for a Visual Essay – Abstract/Room 1
by
Chris Hawkes




Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni








Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny

Creative ways to weave stronger community cohesion, Govanhill as an example
by
Yifei Liu

Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny


Works that explore their maker’s lives or own stories, memories or experiences. These works will often explore the politics of the self as well as personal and political identity, and methods of making these parts of ourselves visible.


Painting, Painting, Painting Forever and Ever
by
Emily Ritchie



Portrait of an Artist as their Mother
by
Ahmad Zaim Zarif Ahmad Zamri



Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny


‘That Which Holds You’ Installation
by
Ciorstaidh Rhiannon (Kirsty Robertson)



Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny







Works which explore what it means to work with others to build genuine and meaningful engagement through art and design. These works explore notions of collaboration, trust building and acts or communities of solidarity.
Works that engage with writing and theory – adopting and challenging dominant forms, and taking inspiration from writers and thinkers.
From trans joy to Black feminism; gender fluidity to media representation – these works explore the intersecting aspects, questions and challenges of gender today.



Modelling the Fishing: Heritage Representations and Trans-Species Dialogues in the “Great Herring Fishery”
by
Jude Norton-Smith

Portrait of an Artist as their Mother
by
Ahmad Zaim Zarif Ahmad Zamri






Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny



Storeroom for a Visual Essay – Abstract/Room 1
by
Chris Hawkes


Painting, Painting, Painting Forever and Ever
by
Emily Ritchie





From technology-driven innovations in healthcare to narratives of mental illness, these works reflect on the current state of health and wellbeing, and imagine bold new futures.


Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny




Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny




Virtual Reality Microsurgical Digit Revascularization and Replantation Training Tool
by
Madeleine Guillery







Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny


How does creative practice respond to, and affect, the current geological age – defined by the dominant influence of humans on the landscape?


Hyper Local Re-use Center: Personal Process
by
Vartika Shrivastava

Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny


![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)




how do we know that we live in a simulation?
by
Hsiao-Hsuan Yang







Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni



Modelling the Fishing: Heritage Representations and Trans-Species Dialogues in the “Great Herring Fishery”
by
Jude Norton-Smith
Works that explore and are interested in the ways in which material culture shapes and codes our political, personal and social lives. These works may also explore the politics of what it means to be a producer and maker, and how to make materials which are relevant and accessible.
These works centre ways or methods of working where the material or medium of the work is central to how the work communicates, engages and builds meaning with its audience.






Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni

Towards A Biography of Constantine: Govan Old Parish Church
by
Jude Norton-Smith


Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny

Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny



Storeroom for a Visual Essay – Abstract/Room 1
by
Chris Hawkes




Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny



The need to de-colonise the mind, society, creative work, and the educational curriculum is presented with urgency here, alongside numerous intersecting themes of race and identity.
When equals are treated unequally and the unequal treated equally, what is our creative response? These works, often political or philosophical, span issues of race, class equity, isolation, disadvantage, migration and bureaucracy
Our world’s changing climate is the defining challenge of a generation, and sustainability is the responsibility of all artists, designers and architects. From zero-waste design to architecture that considers rising sea levels, these works range from provocative, to grief-stricken, to cautiously hopeful.






Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni




MSc PDE Major Project: Festival Accommodation Redesign
by
Ewan Mathieson


![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)


Match Patch: Decreasing Textile Waste Through Mending
by
Katherine Sephton




From Smoked Delights to Streamed Revival: The Renaissance of Wild Salmon
by
Yulong He
