MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.


from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2



from Dairy





from 35mm Photography

from Selected Stills from ‘That Which Holds You’ Short Film

from 35mm Photography

from Selected Stills from ‘That Which Holds You’ Short Film

from ‘That Which Holds You’ Installation

from Ephemeral Afternoon

from Stand and Lean

from Less and More
from Ephemeral Afternoon

from Ephemeral Afternoon


from Where do you think you’re going?

from Where do you think you’re going?



from 1321

from 1321

from 1321

from 1321


from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”


from The Ghost

from Studio Wall

from Painting, Painting, Painting Forever and Ever

from Painting, Painting, Painting Forever and Ever

from Studio Wall


from Memories Puzzle

from Fading Echoes

from Fading Echoes
from Fading Echoes

from Memories Puzzle


from Symbiont

from Symbiont

from Symbiont

from Symbiont

from Symbiont


from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep
from Rolling to the deep

from Growth

from Growth

from Growth


from The Gluttonous Feast- back to the wall

from Soundless Roar

from Untitled

from Leisure Time


from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements








from Harmony

from Harmony

from Harmony

from Harmony

from Harmony


from Phantom Pain

from Phantom Pain

from Phantom Pain

from Phantom Pain

from Degree Show Venue


from Furniture sketch I

from Furniture sketch IV

from Furniture sketch II
from Furniture sketch I

from Installation shot



from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1


from If It Was Here

from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
from If It Was Here

from If It Was Here

from If It Was Here







from WEN CAI

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from WEN CAI
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from WEN CAI



from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa


from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space


from Joyful countenance

from Waltz floor
from Waltz floor
from Deep Acting

from Deep Acting


from 20/40

from 20/40

from tsa-bóo. 女

from 20/40

from tsa-bóo. 女


from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration


from Allegory Installation

from Allegory Installation

from Scene, Femme

from Otherness, Gnarled

from Allegory Installation


from Emma

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?

from Emma

from how do we know that we live in a simulation?


from Held Together

from Waiting in the Sun

from Found Mud

from Found Mud

from Waiting in the Sun


from Any January

from Degree Show installation

from Degree Show installation

from Degree Show installation

from Degree Show installation


from PRESS PLAY

from PRESS PLAY
from PRESS PLAY

from PRESS PLAY

from PRESS PLAY


from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE


from Nurikabe

from Nurikabe

from Nurikabe

from Nurikabe