MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.


from Waltz floor
from Deep Acting

from Deep Acting

from Joyful countenance
from Waltz floor


from The Gluttonous Feast- back to the wall

from Untitled

from Leisure Time

from Soundless Roar








from Process

from Phantom Pain

from Phantom Pain

from Phantom Pain

from Phantom Pain


from WEN CAI

from WEN CAI

from WEN CAI

from WEN CAI

from WEN CAI



from 1321

from 1321

from 1321

from 1321


from Studio Wall

from Painting, Painting, Painting Forever and Ever

from The Ghost

from The Ghost

from Painting, Painting, Painting Forever and Ever


from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE

from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order


from how do we know that we live in a simulation?

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?


from Nurikabe

from Nurikabe

from Nurikabe

from Nurikabe


from Growth
from Growth

from Growth


from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa


from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep
from Rolling to the deep


from Less and More
from Ephemeral Afternoon
from Ephemeral Afternoon

from Give up Bothering

from On the Way


from If It Was Here

from If It Was Here

from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
from If It Was Here

from If It Was Here


from Symbiont

from Symbiont

from Symbiont

from Symbiont

from Symbiont



from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY
from PRESS PLAY


from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2








from 20/40

from 20/40

from 20/40

from tsa-bóo. 女

from tsa-bóo. 女


from Allegory, Femme

from Scene, Femme

from Allegory Installation

from Allegory Installation

from Scene, Femme


from Furniture sketch IV
from Furniture sketch I

from Furniture sketch II

from Installation shot

from Furniture sketch I


from 35mm Photography

from ‘That Which Holds You’ Installation

from ‘That Which Holds You’ Installation

from ‘That Which Holds You’ Installation

from Selected Stills from ‘That Which Holds You’ Short Film


from Where do you think you’re going?

from Where do you think you’re going?


from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration


from Harmony

from Harmony

from Harmony

from Harmony

from Harmony


from Any January

from Degree Show installation

from Degree Show installation

from Degree Show installation

from Degree Show installation








from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1



from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space


from Held Together

from Found Mud

from Gathering Figures

from Gathering Figures

from Waiting in the Sun


from Memories Puzzle

from Fading Echoes

from Memories Puzzle

from Fading Echoes

from Memories Puzzle


from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements


from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”

from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”