MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
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from Scene, Femme
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from Color Block Patch Plan: Turning Chaos into Order
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from CROSSING THE VISIBLE LINE
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from Deep Acting
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from Joyful countenance
from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
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from Alchemical Entanglements
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from Furniture sketch I
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from Installation shot
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from Degree Show installation
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from Any January
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from Storeroom for a Visual Essay – Abstract/Room 1
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from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from ‘That Which Holds You’ Installation
from 35mm Photography
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from Selected Stills from ‘That Which Holds You’ Short Film
from WEN CAI
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from PRESS PLAY
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from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from “Mind Your Head, Mind Your Heart III”
from “I Don’t Want You To Think About It Too Much”
from “Mind Your Head, Mind Your Heart III”
from “I Don’t Want You To Think About It Too Much”
from “Mind Your Head, Mind Your Heart III”
from Vernix caseosa
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from An Elusive Space
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from Fading Echoes
from Memories Puzzle
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from The sapce for coexistence and integration
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from Where do you think you’re going?
from Where do you think you’re going?
from Growth
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from Emma
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from Held Together
from Found Mud
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from Phantom Pain
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from Degree Show Venue
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from Painting, Painting, Painting Forever and Ever
from Enter Here
from Studio Wall
from The Ghost
from Painting, Painting, Painting Forever and Ever
from Stand and Lean
from Ephemeral Afternoon
from Give up Bothering
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from Drawings
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from Rolling to the deep
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from tsa-bóo. 女
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from ２０／４０
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from ２０／４０
from Symbiont
from Symbiont
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