MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.


from Degree Show installation

from Any January

from Any January

from Degree Show installation

from Degree Show installation




from Harmony

from Harmony

from Harmony

from Harmony

from Harmony


from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from Stand and Lean

from Ephemeral Afternoon

from On the Way

from Stand and Lean

from On the Way


from Growth
from Growth

from Growth


from The Gluttonous Feast- back to the wall

from Soundless Roar

from Untitled

from Leisure Time


from Held Together

from Held Together

from Found Mud

from Waiting in the Sun

from Found Mud


from Allegory, Femme

from Allegory Installation

from Scene, Femme

from Allegory, Femme

from Scene, Femme


from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa







from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”

from “I Don’t Want You To Think About It Too Much”


from Where do you think you’re going?

from Where do you think you’re going?








from tsa-bóo. 女

from tsa-bóo. 女

from 20/40

from 20/40

from 20/40



from WEN CAI

from WEN CAI
from WEN CAI

from WEN CAI

from WEN CAI




from Dairy




from Nurikabe

from Nurikabe

from Nurikabe

from Nurikabe


from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements


from ‘That Which Holds You’ Installation

from 35mm Photography

from 35mm Photography

from 35mm Photography

from ‘That Which Holds You’ Installation


from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1


from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2


from PRESS PLAY

from PRESS PLAY
from PRESS PLAY

from PRESS PLAY
from PRESS PLAY



from Painting, Painting, Painting Forever and Ever

from Painting, Painting, Painting Forever and Ever

from Studio Wall

from Studio Wall

from The Ghost


from Waltz floor

from Deep Acting
from Deep Acting
from Deep Acting

from Joyful countenance


from Emma

from how do we know that we live in a simulation?

from Emma

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?


from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE


from Memories Puzzle

from Untitled

from Fading Echoes
from Fading Echoes

from Memories Puzzle


from Phantom Pain

from Process

from Process

from Phantom Pain

from Degree Show Venue

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Furniture sketch I

from Furniture sketch I

from Furniture sketch IV

from Installation shot

from Furniture sketch II

![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
from If It Was Here

from If It Was Here

from If It Was Here

from If It Was Here

from If It Was Here


from Symbiont

from Symbiont

from Symbiont

from Symbiont

from Symbiont


from 1321

from 1321

from 1321

from 1321


from An Elusive Space

from An Elusive Space

from An Elusive Space
from An Elusive Space

from An Elusive Space