MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
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from Nurikabe
from Where do you think you’re going?
from Where do you think you’re going?
from WEN CAI
from WEN CAI
from WEN CAI
from WEN CAI
from WEN CAI
from Untitled
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from Fading Echoes
from Memories Puzzle
from Memories Puzzle
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from Harmony
from Harmony
from Harmony
from Harmony
from Harmony
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from If It Was Here
from If It Was Here
from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
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from Any January
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from “I Don’t Want You To Think About It Too Much”
from “Mind Your Head, Mind Your Heart III”
from “I Don’t Want You To Think About It Too Much”
from “Mind Your Head, Mind Your Heart III”
from “I Don’t Want You To Think About It Too Much”
from 1321
from 1321
from 1321
from 1321
from Alchemical Entanglements
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from Alchemical Entanglements
from Alchemical Entanglements
from Alchemical Entanglements
from Symbiont
from Symbiont
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from An Elusive Space
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from Found Mud
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from Installation shot
from Allegory Installation
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from Allegory, Femme
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from PRESS PLAY
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from The sapce for coexistence and integration
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from The sapce for coexistence and integration
from The sapce for coexistence and integration
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from The Ghost
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from Painting, Painting, Painting Forever and Ever
from The Ghost
from The Ghost
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from how do we know that we live in a simulation?
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from Process
from Degree Show Venue
from Process
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from Drawings
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from Growth
from ２０／４０
from tsa-bóo. 女
from ２０／４０
from tsa-bóo. 女
from tsa-bóo. 女
from Color Block Patch Plan: Turning Chaos into Order
from Color Block Patch Plan: Turning Chaos into Order
from Color Block Patch Plan: Turning Chaos into Order
from Color Block Patch Plan: Turning Chaos into Order
from CROSSING THE VISIBLE LINE
from 35mm Photography
from ‘That Which Holds You’ Installation
from ‘That Which Holds You’ Installation
from 35mm Photography
from 35mm Photography