MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.
from 35mm Photography
from ‘That Which Holds You’ Installation
from 35mm Photography
from ‘That Which Holds You’ Installation
from ‘That Which Holds You’ Installation
from Growth
from Growth
from Growth
from Fading Echoes
from Fading Echoes
from Memories Puzzle
from Memories Puzzle
from Memories Puzzle
from Ephemeral Afternoon
from On the Way
from On the Way
from Ephemeral Afternoon
from Stand and Lean
from Furniture sketch IV
from Furniture sketch I
from Installation shot
from Furniture sketch II
from Furniture sketch I
from The sapce for coexistence and integration
from The sapce for coexistence and integration
from The sapce for coexistence and integration
from The sapce for coexistence and integration
from The sapce for coexistence and integration
from Held Together
from Gathering Figures
from Held Together
from Gathering Figures
from Found Mud
from Allegory, Femme
from Scene, Femme
from Allegory Installation
from Scene, Femme
from Allegory, Femme
from Where do you think you’re going?
from Where do you think you’re going?
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Storeroom for a Visual Essay – Abstract/Room 1
from Nurikabe
from Nurikabe
from Nurikabe
from Nurikabe
from Harmony
from Harmony
from Harmony
from Harmony
from Harmony
from Symbiont
from Symbiont
from Symbiont
from Symbiont
from Symbiont
from Deep Acting
from Waltz floor
from Deep Acting
from Waltz floor
from Deep Acting
from If It Was Here
from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
from If It Was Here
from If It Was Here
from If It Was Here
from Alchemical Entanglements
from Alchemical Entanglements
from Alchemical Entanglements
from Alchemical Entanglements
from Alchemical Entanglements
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from Vernix caseosa
from 1321
from 1321
from 1321
from 1321
from how do we know that we live in a simulation?
from how do we know that we live in a simulation?
from how do we know that we live in a simulation?
from Emma
from how do we know that we live in a simulation?
from The Gluttonous Feast- back to the wall
from Untitled
from Soundless Roar
from Leisure Time
from An Elusive Space
from An Elusive Space
from An Elusive Space
from An Elusive Space
from An Elusive Space
from Degree Show installation
from Any January
from Degree Show installation
from Degree Show installation
from Degree Show installation
from Painting, Painting, Painting Forever and Ever
from Studio Wall
from Studio Wall
from Studio Wall
from Painting, Painting, Painting Forever and Ever
from “Mind Your Head, Mind Your Heart III”
from “Mind Your Head, Mind Your Heart III”
from “I Don’t Want You To Think About It Too Much”
from “I Don’t Want You To Think About It Too Much”
from “I Don’t Want You To Think About It Too Much”
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from Rolling to the deep
from ２０／４０
from tsa-bóo. 女
from ２０／４０
from tsa-bóo. 女
from ２０／４０
from PRESS PLAY
from PRESS PLAY
from PRESS PLAY
from PRESS PLAY
from PRESS PLAY
from WEN CAI
from WEN CAI
from WEN CAI
from WEN CAI
from WEN CAI
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from http://nniversari.fun/357jQjd.2
from CROSSING THE VISIBLE LINE
from Color Block Patch Plan: Turning Chaos into Order
from CROSSING THE VISIBLE LINE
from Color Block Patch Plan: Turning Chaos into Order
from CROSSING THE VISIBLE LINE
from Degree Show Venue
from Phantom Pain
from Process
from Phantom Pain
from Phantom Pain