MLITT FINE ART PRACTICE
Stow Building, 38 students
The Master of Letters in Fine Art Practice Programme at The Glasgow School of Art consists of three specialist pathways (Painting, Drawing and Print Media, Photography and the Moving Image and Sculpture and Performance.). The programme is studio-based and centred on practice and is intended to provide opportunities for students to pursue in-depth subject-specific study in fine art practice at postgraduate level. Undertaken over 12 months, the Programme encourages an intensive exploration of research and development of ideas from the outset, with the focus on the highest standards of practice and personal development as artists.
The students on the Programme work within the specialisms and across them, often identifying collaborative opportunities to engage with practice across the pathways and across programmes. The Programme has a diverse mix of both national and international students, attracting applicants from all over the world. This dynamic encourages the students to build a dialogue with their peers and identify meaningful connections, many of which lead to further collaborations beyond graduation from the School.


from Painting, Painting, Painting Forever and Ever

from Studio Wall

from The Ghost

from The Ghost

from The Ghost


from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY

from PRESS PLAY


from Give up Bothering

from Less and More
from Ephemeral Afternoon

from Ephemeral Afternoon

from Ephemeral Afternoon


from Untitled

from Soundless Roar

from Leisure Time

from The Gluttonous Feast- back to the wall


from WEN CAI

from WEN CAI

from WEN CAI
from WEN CAI

from WEN CAI


from Memories Puzzle

from Memories Puzzle

from Fading Echoes

from Fading Echoes

from Memories Puzzle


from “I Don’t Want You To Think About It Too Much”

from “I Don’t Want You To Think About It Too Much”

from “Mind Your Head, Mind Your Heart III”

from “Mind Your Head, Mind Your Heart III”

from “I Don’t Want You To Think About It Too Much”


from Emma

from how do we know that we live in a simulation?

from how do we know that we live in a simulation?

from Emma

from Emma


from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration

from The sapce for coexistence and integration



from Phantom Pain

from Phantom Pain

from Degree Show Venue

from Phantom Pain

from Process




from Degree Show installation

from Degree Show installation

from Any January

from Degree Show installation

from Degree Show installation



from Scene, Femme

from Allegory Installation

from Allegory Installation

from Scene, Femme

from Allegory Installation


from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1

from Storeroom for a Visual Essay – Abstract/Room 1


from 1321

from 1321

from 1321

from 1321


from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep

from Rolling to the deep


from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements

from Alchemical Entanglements







from Gathering Figures

from Held Together

from Gathering Figures

from Found Mud

from Waiting in the Sun


from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order

from Color Block Patch Plan: Turning Chaos into Order

from CROSSING THE VISIBLE LINE

from Color Block Patch Plan: Turning Chaos into Order


from Harmony

from Harmony

from Harmony

from Harmony

from Harmony



from Dairy


from Drawings



from 35mm Photography

from Selected Stills from ‘That Which Holds You’ Short Film

from ‘That Which Holds You’ Installation

from 35mm Photography

from Selected Stills from ‘That Which Holds You’ Short Film


from If It Was Here
![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)
from If It Was Here

from If It Was Here

from If It Was Here

from If It Was Here


from Symbiont

from Symbiont

from Symbiont

from Symbiont

from Symbiont


from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space

from An Elusive Space


from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa

from Vernix caseosa


from Nurikabe

from Nurikabe

from Nurikabe

from Nurikabe


from Waltz floor
from Deep Acting

from Deep Acting
from Deep Acting
from Waltz floor


from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2

from http://nniversari.fun/357jQjd.2








from 20/40

from tsa-bóo. 女

from 20/40

from tsa-bóo. 女

from 20/40


from Growth
from Growth

from Growth


from Furniture sketch I

from Furniture sketch II
from Furniture sketch I

from Furniture sketch IV

from Installation shot


from Where do you think you’re going?

from Where do you think you’re going?