





We live in a time of unprecedented change – what does it mean to adapt in 2023? What societal pressures and norms are we forced to adapt to, and what radical potential could autonomous reinvention hold?
Works that explore their maker’s lives or own stories, memories or experiences. These works will often explore the politics of the self as well as personal and political identity, and methods of making these parts of ourselves visible.



Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny






‘That Which Holds You’ Installation
by
Ciorstaidh Rhiannon (Kirsty Robertson)

Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny


Selected Stills from ‘That Which Holds You’ Short Film
by
Ciorstaidh Rhiannon (Kirsty Robertson)






Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny


Painting, Painting, Painting Forever and Ever
by
Emily Ritchie
Works which explore what it means to work with others to build genuine and meaningful engagement through art and design. These works explore notions of collaboration, trust building and acts or communities of solidarity.
Works that engage with writing and theory – adopting and challenging dominant forms, and taking inspiration from writers and thinkers.
From trans joy to Black feminism; gender fluidity to media representation – these works explore the intersecting aspects, questions and challenges of gender today.

Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny



Storeroom for a Visual Essay – Abstract/Room 1
by
Chris Hawkes

Portrait of an Artist as their Mother
by
Ahmad Zaim Zarif Ahmad Zamri





Modelling the Fishing: Heritage Representations and Trans-Species Dialogues in the “Great Herring Fishery”
by
Jude Norton-Smith

Creative ways to weave stronger community cohesion, Govanhill as an example
by
Yifei Liu







by
Jiayi Huang

From technology-driven innovations in healthcare to narratives of mental illness, these works reflect on the current state of health and wellbeing, and imagine bold new futures.



Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni


Nonfiction Ensemble: I Wouldn’t Forget You
by
Amparo Fortuny










Perpetually Searching for Eudaemonia: A Conversation About Object Wearing
by
Ailsa Morrant



Virtual Reality Microsurgical Digit Revascularization and Replantation Training Tool
by
Madeleine Guillery

Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny

How does creative practice respond to, and affect, the current geological age – defined by the dominant influence of humans on the landscape?






Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny

Hyper Local Re-use Center: Personal Process
by
Vartika Shrivastava


![[…] The exhibition installation is a recreation of a folk tale in the Highlands. It consists of a metal pool and a sound film, which is made up of three parts. The pool symbolizes the lochs, surrounded by hay. The movie projected in the pool shows the lives of mythical creatures - Kelpies. They wander around their home in a circle, constantly changing their skin colour to suit their environment. Bubble skins are shedding. One of them is jumping. How can they openly and fearlessly show us their private lives?](https://gsapostgradshowcase-2023.s3.eu-west-2.amazonaws.com/wp-content/uploads/2023/08/16190726/exhibition1-1024x683.jpg)

Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni


how do we know that we live in a simulation?
by
Hsiao-Hsuan Yang





Modelling the Fishing: Heritage Representations and Trans-Species Dialogues in the “Great Herring Fishery”
by
Jude Norton-Smith


Works that explore and are interested in the ways in which material culture shapes and codes our political, personal and social lives. These works may also explore the politics of what it means to be a producer and maker, and how to make materials which are relevant and accessible.
These works centre ways or methods of working where the material or medium of the work is central to how the work communicates, engages and builds meaning with its audience.






Storeroom for a Visual Essay – Abstract/Room 1
by
Chris Hawkes

Nonfiction Ensemble: I Put Away The Plates
by
Amparo Fortuny

Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni








Towards A Biography of Constantine: Govan Old Parish Church
by
Jude Norton-Smith


Nonfiction Ensemble: Understanding the Anger Of Britain’s Underclass.
by
Amparo Fortuny


The need to de-colonise the mind, society, creative work, and the educational curriculum is presented with urgency here, alongside numerous intersecting themes of race and identity.
When equals are treated unequally and the unequal treated equally, what is our creative response? These works, often political or philosophical, span issues of race, class equity, isolation, disadvantage, migration and bureaucracy
Our world’s changing climate is the defining challenge of a generation, and sustainability is the responsibility of all artists, designers and architects. From zero-waste design to architecture that considers rising sea levels, these works range from provocative, to grief-stricken, to cautiously hopeful.


From Smoked Delights to Streamed Revival: The Renaissance of Wild Salmon
by
Yulong He


Match Patch: Decreasing Textile Waste Through Mending
by
Katherine Sephton

Reintroducing Interdependence into the Organizational Sphere
by
Shravya Dayaneni


MSc PDE Major Project: Festival Accommodation Redesign
by
Ewan Mathieson

Modelling the Fishing: Heritage Representations and Trans-Species Dialogues in the “Great Herring Fishery”
by
Jude Norton-Smith











